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Marketing Talent in Latam: Hiring UI/UX, Content, and Creative Roles with Grace Portillo | Nearshore Cafe

In this first installment of Inside Nearshore, a new monthly series from The Nearshore Cafe sponsored by Plugg.Tech, host Brian Samson  interviews Grace Portillo, a seasoned marketing professional and talent connector originally from El Salvador. Grace shares her unique perspective on sourcing and hiring top-tier marketing and design talent across Latin America, from UI/UX designers in Argentina and Uruguay to content creators in Mexico and video editors in Colombia.

They explore the real cost of hiring creatives in LATAM, cultural advantages in communication and collaboration, and which roles are ideal for nearshoring, including content strategy, animation, paid media, and social media management. Grace also reflects on her creative journey, including her music project Grace and Bad Love, and what it’s like growing up in Central America and building a career in Patagonia.

Frequently Asked Questions​

What marketing and design roles are best to outsource to Latin America?

Latin America offers a rich pool of creative professionals perfect for outsourcing roles such as UI/UX design, content creation, video editing, social media management, and marketing strategy. Grace Portillo highlights that UI/UX professionals from countries like Argentina, Uruguay, and Colombia bring senior-level experience, often working with U.S. clients already. Content writers and strategists are also in high demand, with Central America and Mexico offering talent fluent in U.S. cultural norms and tone. For video editing and animation, countries like Argentina and Colombia offer skilled contractors at competitive rates, making these ideal roles to nearshore for quality and cost savings.

How much does it cost to hire marketing and design talent from Latin America?

Rates for marketing and design professionals in Latin America vary by role and experience, but they offer significant cost advantages over U.S. hiring. Here’s a general breakdown:

UI/UX designers: $30–$50 per hour (senior-level, highly experienced)

Content strategists: $20–$25 per hour

Content creators/copywriters: $15–$18 per hour

Video editors: $20–$22 per hour
These rates represent direct hiring costs and reflect a 30–50% savings compared to U.S.-based roles, often with no compromise in quality. Many of these professionals have experience working remotely for international teams and bring strong English skills and cultural fluency to the table.

Which Latin American countries are best for hiring marketing and creative talent?

Top countries for outsourcing marketing and design roles include:

Argentina & Uruguay: Known for high-quality UI/UX designers, creative thinkers, and branding professionals with global experience.

Colombia: Offers strong talent in video editing, animation, and paid marketing roles.

Mexico & Central America (e.g., El Salvador): Ideal for social media managers, content strategists, and copywriters due to cultural proximity and strong English proficiency.
Grace Portillo emphasizes that Latin American professionals bring passion, creativity, and direct communication styles making them excellent collaborators who don’t just execute, but contribute ideas and strategic insight.

Full Episode

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[Music]

**Brian:** Welcome everyone to another edition of the Nearshore Cafe podcast. I’m Brian Samson, your host. This is Season Two. Season Two, we get into it! And if you’re interested in what things cost, what labor costs, especially in the marketing design world in Latin America, you are going to be blown away on this podcast as we have Grace Portillo on the show. Let me first thank our sponsor, and then we’ll welcome Grace. This podcast is sponsored by Plug Technologies, Plug.tech. Plug is the best way to connect Latin American software engineers with growing US companies. Grace, thrilled to have you on today! This is so much fun.

**Grace:** Thanks for having me, Brian.

**Brian:** Absolutely, Grace. I’m not going to beat around the bush. We’ll talk about a bunch of other stuff in a minute, but I think a lot of our listeners are what I call “Nearshore Curious.” They hear about talent in Latin America. Maybe they’ve outsourced before, maybe they haven’t. And nobody wants to just come out and say, “Well, what does it cost?” because then they feel obnoxious or something. But we’re going to try to answer some real questions for people today. So, maybe just take a minute, if you don’t mind, and give people a little bit about where you’re coming from. You know, you’re a marketing professional. Tell us about some of the different roles you’ve had, the types of companies you’ve worked with, and that will give people a nice foundation here.

**Grace:** Wonderful. So, I started working at Mural, a tool. I used to go work with clients there on helping them visually create their ideas, basically helping them brainstorm everything visually. It’s a whiteboard tool. So, that was a lot of fun. Ended up project managing at a branding agency, and then moved into the recruiting industry. It’s been over five years now, and I’ve worked for different companies helping soft tech talent. And then I ended in this role I’m in now, which is helping marketing and design talent from LATAM connect with US-based growing companies. So, it’s been really interesting how I ended up in my own field, on my own area, but connecting people, which is something I’ve always just came naturally to me.

**Brian:** Yeah, and I think Grace is being humble in that you skipped over a lot of your own marketing skill set and experience. Could you dive into that a little bit more, like some of the design and content and other things that you’ve personally done or oversaw?

**Grace:** Yes. I’ve helped, well, just speaking in general, I’ve helped with branding of the companies I’ve been involved with, the website creations. I’ve helped implement online events, especially in the pandemic. That was honestly, I was blessed to do that, because it was a great way to connect and keep things going. And in-person events were clearly not a thing. So, kind of continuing doing a roundtable of virtual events gave me that connection throughout the pandemic. So, anything implementing end-to-end events, anything related to interviewing folks, the branding of the websites and the companies that I’ve been working with, some of the tasks that I’ve been helping, as well as newsletters, social media.

**Brian:** Yeah, that’s a great superpower, I think, to highlight, because a lot of recruiters, a lot of talent connectors, you know, I like to say we have a mile-wide perspective, but an inch deep of domain knowledge. And I think you’ve got a much deeper domain knowledge. So, when we’re talking about content designers, writers, social media, UI/UX, I could go on. You know, events, there’s a lot of different types of talent that companies in the US need as well. What are some things that are kind of easily outsourced? So, if you were a US company, like, it doesn’t matter if it’s Asia or Eastern Europe or onshore, you know, just a cheaper place in the States, what are some marketing jobs that a company would, that would be like the first ones they would probably want to outsource?

**Grace:** Content creation, content strategy. I’ve been looking, talking to a ton of agencies as well, and been noticing perhaps more on the design and editing side of things. But there’s interest in streamlining editing processes, so everything that is video editing is easy to outsource as well, and faster return, and as well as clearly a cost benefit. And animation as well. So, anything UI/UX and animation, which is completely different worlds, but I’ve noticed that this can be streamlined and incorporated into the team, and works. There’s no fuss there, so that’s good.

**Brian:** And then I was going to ask about the event space. COVID, crazy time, virtual events. It seems like there’s a lot more in-person events coming back, which is good, good for the world. But there are still virtual events. Is that something that marketing teams tend to outsource, or they’ll keep in-house as, you know, the event running? I guess it needs to be someone…

**Grace:** It could be outsourced. It could. It could be outsourced. It needs to be a high-energy person that kind of gets the right panelists in line. And depending if they’re hosts of the event or not, because sometimes it can be in the backend, and whoever’s running it doesn’t even show up on the event, on the live event. So, if that’s the case, I think that the backend, the logistics, can totally be outsourced. I’ve seen mostly in-house if you’re the host of the event.

**Brian:** Yeah, yeah, yeah. Content certainly spoke to me. As I think about how much content is created, and you know, six months ago, I was pretty bullish on ChatGPT, thinking like you could just create 50 blog articles just like that. But it is really easy to decipher if this is from ChatGPT or somebody actually wrote it, right? So, knowing that, maybe talk about the content piece for a second. We don’t have to get into Latin America just yet, but just like how heads of marketing might be thinking about content today.

**Grace:** I think that fresh ideas that can come from someone being outsourced are definitely something that can add to the current view of things, especially if they’re from different cultures. Because we know that we need to speak to the end client, of course, but we might be missing something that can be picked on, just because we’re in different places, we think differently. I’ll get a bit into the Latin America thing, because I mean, it’s kind of what I where I’m leading to. But I don’t know if you’ve seen advertisement in Argentina? It’s insane. It’s crazy. They’re known for, they’re brilliant at it. So, if you get an Argentine content creator, their ideas will be out of the box, outside of the box, completely. And you might want to frame them, and then they’ll work with that, but you’ll get fresh ideas, that’s for sure. So, I’m thinking in just terms of different perspectives and trends as well, which we’re all now more aligned, I think, after the pandemic. We went more virtual. I used to think that Latin America was a bit behind as the technology speaking and whatnot, but now I think we’re all pretty much hooked up all the time. So, that’s something that I’ve been noticing, that the trends are the same everywhere now. It’s not like, “Oh, we’re behind,” like it used to be. I noticed that.

**Brian:** Now, let me throw out a couple of those roles we talked about, and then maybe let’s talk about Latin America now. I think this is the right time. So, let me throw out a couple different roles. We’ll go one by one. Tell me if this was something you were recruiting on, maybe like the number one or number two places in LATAM that you would source, like where are those pockets of talent, and then just give us some ranges, like in US dollars today, what might that cost per hour or per month? What would that look like? So, maybe we’ll start with what I think is probably the most exciting to outsource or nearshore, is UI. So, where do you start there? Someone comes to you, they want a UI/UX designer. What countries, where would you start, how would you think about it, what would that cost?

**Grace:** UI/UX is one of the most interesting roles, as it has different margins across. I’ve noticed agencies that are offering UI/UX designers, and the range is just different, right? Cost, though, we can… there’s a range depending on seniority. So, this would be…

**Brian:** And what we’re saying is cost is like if the US company just wanted to recruit themselves, they could probably find somebody, but it would be that that person would cost like $30 an hour all the way up to $50 an hour, depending on seniority.

**Grace:** Yeah, I think that’s the most interesting thing of outsourcing/nearshore, because I know cost isn’t attractive, but it’s not the main thing. The main thing is quality, and it comes with experience, because we’re talking about comparing an entry-level UI/UX onshore designer versus someone senior in LATAM, which clearly could have already worked with US companies and have industry experience.

**Brian:** So, that’s a great point. Yeah, experience. Experience matters because they get their reps, they know what to ask, and the research, and the user. They know how to think through the workflows, and the interaction, and the mockups, and the storyboards, and they’ve worked on consumer and enterprise. And there’s a lot, a lot that goes into it. And if you’re starting fresh versus somebody who’s had a lot of reps, it’s wildly different. So, maybe that’s what you’re hitting on is that, you know, $50 an hour doesn’t seem that cheap, but it’s certainly a great value when you think about how much experience you’re buying.

**Grace:** And you will definitely see it from these portfolios. I mean, I’ve noticed, going back to your question, Argentina, Uruguay. I’m starting to see some in, a little above, well, I’m down below right now, so I say “above,” but I’m noticing a couple profiles in Colombia I’ve been interested in recently. But I would pinpoint Argentina and Uruguay as having great potential in UI/UX design, and already experienced with working for United States.

**Brian:** Now, when people think about content, you know, I’m not a marketer myself. I think, does that mean a blogger? Maybe help us think through what types of content would people outsource? And then, same types of questions for those roles.

**Grace:** I guess it depends on your team and how involved you are with the current strategy. I know maybe there are companies that don’t have a marketing team and need to get on social media, and need content generated, and need a full end-to-end plan. In that case, you would need to outsource strategic, like someone that helps you with the strategy of your content, and helps you pull through between copywriting as well, and content creation, which can be obviously design, but also can be interviews, and get a little more creative on how you can work across teams with your maybe your customer support team, and then get some real insight from users or clients and then portray that, as well as with our marketer, working together with the HR team, and perhaps getting some culture visibility. That’s what I meant. So, I’m thinking it depends on the team and how much they want this person involved. I always think that the best content is the one that tells the story and it’s genuine. And in order to get that, you would have to share a bit of information of your team, and give them access to, as I mentioned, even the sales team, why not? Because I mean, marketing and sales have a lot to do. And I think that cross-team collaboration is crucial for generating genuine content and actually making visible things that perhaps aren’t already. What are your users saying? How are your employees feeling about working at your company? So, I think it ties in nicely.

**Brian:** Yeah. What does that cost? Maybe let’s break that up. There’s the strategy part, and I’m glad you brought that up. I’m going to come back to that in a second. And then more of the execution. You want writers versus idea people versus strategy people. Where do you go? What does that cost?

**Grace:** Strategy, I would say at least $20 an hour, depending on the seniority as well. This is always a range, but starting from $20 to $25. And I would price the content, like, more of a generators, right? Like, working under someone else’s strategy, or working together with the other resource that helps with planning, like plan everything, that would be between $15 to $18. So, to give you an idea. And it depends clearly on experience, on seniority, but those are the rates that we’ve been seeing.

**Brian:** Sure, sure. And would you start in Argentina or any other countries you look at too?

**Grace:** It depends on the role exactly. For example, I’ve noticed Colombia has great paid marketing contractors. I’ve noticed Uruguay and Argentina have great designers. Then, as well as the whole copywriting thing, Central America, which is kind of like more on the backyard of the States, if you may, is more in tune with how to communicate things and kind of like lingo. And so, it’s… and depending on which particular role you’re assigning, but copywriting is interesting, but definitely Central America, I would say.

**Brian:** Now, strategy is a really interesting topic, because for me, I think there are two crucial parts. The first is being able to ask great questions, okay? And the second is this kind of cultural norm of being able to tell your client what they really need to hear versus what they want to hear, right? You know, I’ll just come out and say it, call me controversial, but I think Asia really revolves around harmony. You don’t want to create disharmony by telling something, telling someone a truth that might hurt their feelings, like, “Hey, I think you’re going in the wrong direction. You need to change this right now. This is a bad decision.” I don’t think you would get that in Asia, especially from a consulting firm. Talk about those two things in Latin America, and how maybe how evolved they are, being able to ask good questions and then being able to tell clients really what they should be hearing.

**Grace:** Great question. I honestly think it’s all cultural. So, I think in Latin America, the more involved you are in something, the more serious you’re taking it, the more respectful you are towards the opportunity. Instead, if you keep yourself into the margin and don’t want to share your ideas because you don’t want to make a fuss, you don’t want to… I mean, you’re just there to execute, right? If we’re talking about Asia, I feel like, that’s what I sense, this is just my opinion, but I do see that they don’t want to get involved. They just want to execute. They want to do their job and nothing else, which is perfectly acceptable. But what I think is a Latin thing is that we’re passionate about things, so we will share our opinion. And sometimes I’ve been in rooms where it’s like, “Thanks, Grace, that’s wonderful, not necessary.” Or you hear contractors being like, “Ah, I shared how this strategy was not really what we needed to do. Like, at the moment, this other idea worked better.” And then the end client was very excited to actually get that comment because of that change, they saw a way bigger impact. So, I’m thinking that it depends. I know outsourcing to just get the job done works, but getting a perspective, an opinion of a seasoned contractor that’s working with different US clients and knows your industry, is always welcomed. So, I think it’s of great value. They just need to know how to say it and when to say it, I guess.

**Brian:** Yeah, yeah. As you said, passion. I definitely heard that, I’ve received that because I’ve worked cross-culturally. And you can’t beat the passion coming out of Latin America. So, sometimes it’s just, it takes a minute to understand that that’s actually enthusiasm. Let’s talk about a couple other roles. We’ll say social, like social media, that seems quite hot. Everything from Instagram and TikTok to whatever else is out there today. And then, and actually, I would even mention LinkedIn. And then the other is you brought up video animation. You know, as we’ve seen the world really move to more and more video and reels and things like that, video animators are really important. Talk about those two roles. Where are you looking? What might that cost somebody?

**Grace:** Wonderful. Let me start with the video editing role that you just mentioned. So, advertisement agencies are always in need of someone that helps them edit content, as well as if you want to connect with a contractor that’s helping you to help your projects. I would start in Colombia or Argentina. I’ve been naming the same countries, but that’s where I’ve been noticing some great profiles on video editing as well. So, I would start there. The cost of that, let’s talk about $22 approximately, from $20 to $22. This is pure cost, right? So, if it’s hired directly, and depending on the seniority, depending on the task, but we know that these are in demand. Even influencers need video editors. So, not only advertisement agencies and big clients, but even little clients need to outsource, and it will be of benefit because there’s a 40% cost opportunity there. Per hour is pretty much almost double in the States. So, this is why there’s an interest there of trying to outsource editing projects. And then you mentioned…

**Brian:** Yeah, I’m sorry. I was… Yeah, just with the, with the social for a second, is there, is there something cultural or something in the water in Colombia that’s maybe that, like they’ve just got it, or they just have a long history of producing this type of talent that makes that come to mind first for you? More so for the video editing, I said for social media.

**Grace:** No, I would say for social media, I’ve had great experience meeting people from Mexico. And just because, I think it’s proximity, maybe it’s proximity. And Central America and Mexico have the lingo down. Perhaps have more experience with US clients. I feel that it’s happening in South America, but top of mind would be Mexico definitely for someone that helps you as a marketing coordinator, for someone that helps you with social media management or strategy. I’ve noticed some great profiles from there.

**Brian:** That’s great. That’s great. Yeah.

**Brian:** Well, we’re teasing a lot around Central America, so I want to take this here. I want to go a little more into just your personal history. We really want to highlight, we’ve been talking a lot about Argentina, Uruguay, Colombia, Mexico today, but you’re from Central America. Tell us more about where you grew up, what that was like, and then how in the world you ended up in Patagonia.

**Grace:** Yep. Okay, so I’m originally from El Salvador. I was born in San Salvador. I stayed there until I finished high school, let’s say, age 18. I visited my best friend, she’s Argentine, so I just came for vacation. And I was thinking of where to go to college. I had Vancouver in mind, like, completely random. I was inclined to a more, I was always on the artist path, I think, or creative side of things. And I visited Argentina and noticed the difference of cultures. Central America is more, I guess, how can I say this nicely? It’s a bit more conservative. It’s, I guess, traditional. It comes to, like, it’s just you’re expected to be this at this age. And then I came to Argentina and there’s, it’s just a bigger city, of course. Like, we’re talking now, El Salvador is the tiniest country of Latin America. And then I came to Argentina and landed in Buenos Aires, and that was like, “Okay, this is a big city. Everyone is who they really want to be, and you don’t have to follow the sheep,” you know? So, that’s what got me excited, because I think culturally, my combination has, like, my combination of places has a lot to do with my personality. If I hadn’t moved to Buenos Aires, I wouldn’t have that sass and risk-taking and audacity, I think it’s the word I’m looking for. I would be perhaps more just nodded and say “yes” just because it’s part of a culture, you know, you don’t want to stir it up. People love to stir it up in Argentina, we know everywhere. You go to a football game, they stir it up. You go to a concert, I mean, it’s the best crowd in the world. So, it’s that passion that gets you involved with things that also affects your character and your day-to-day, you know? Like, one thing I will share that’s funny, because every Central American that hears this will find truth in this, is that we’re very… our culture is like, we say “thank you” a lot. You’ve noticed it as well. We say “thank you,” like, “Thank you,” or, “What can I do?” Like, we’re very, “Kill them with kindness” is our motto. And here, I’m now in Patagonia, and I ended up in the south after the pandemic. But in Argentina as a whole, it’s not so always the “Mr. Nice Like girl.” No, it’s you kind of say it as it is. You’re straight on it. It’s direct. It’s a no. So, we kind of play it nice in Central America, and I feel it’s a bit more sassy down south.

**Brian:** Yeah.

**Brian:** For those looking to say, outsource to Central America, what are some of the more common jobs that they might look at? And I don’t mean to blend it all together, because I know there are several countries there, they all have their own specialties, so however you want to play with that question.

**Grace:** I think Central America is definitely going to be on the spotlight for different roles. I know that their attention has been guided towards both sorts of roles. Anything support, customer success or attention have been kind of like the more usual roles that we’ve been noticing that are being assigned to those countries. But there’s definitely potential for more creative things as I think going all fully virtual shook things up. And there are people that upskilled, and they’re getting also encouraged by other contractors throughout Latin America. And I’ve noticed there’s an increase of programming interest, of UI/UX interest, like even within my network of my hometown, I’ve noticed that. So, it’s interesting to see what will happen in a couple years, because for now, those are the roles that have been assigned, but skills are being polished.

**Brian:** Yeah, yeah, yeah, I could see that. I could see that. Tell us some more about just the food, the culture, in El Salvador.

**Grace:** Oh man, I miss that so much. It’s, we love corn. We, okay, you might have heard of arepas. So, you might have heard of arepas, which is, there’s always like fights between countries, “Oh no, that it’s my typical food. No, it’s mine!” Well, we kind of have something similar going with Guatemala and our famous pupusas, which are a corn tortilla filled with cheese and bean paste, and it can have some meat as well, like a, you make chicharrón, it’s called. But then we can, and then you eat it with a little like sauerkraut, if you may, and sauce. So, it’s kind of a veggie cabbage, onion, carrot, and then a sauce on top, which is absolutely delicious. If you haven’t tried a pupusa, I’m sure you can find one in the US. They’re everywhere. And they’re not to be found in Patagonia, though. I cannot find those. I need to make them myself. So, and I guess it’s just more, more flavor. I don’t want to diss on Argentine food, I mean, I’m here. But there’s more, I love spicy, so I’m just taking my spicy sauce in my purse here because nobody… Yeah, you can find spicy in Argentina. It’s very, “Bring me the salt.” I’m like…

**Brian:** So, yeah, Argentina really, yeah, steak and salt is kind of the thing, right?

**Grace:** Yeah, which I mean, I can’t argue, it’s great. But yeah, we also have great seafood in, there’s a lot of beaches. So, every time I go back, the first thing I do is drive to the beach, and I have a fish ceviche, of course. And which we kind of also share that, that passion with Mexico, of Micheladas. We spice our beer, like it’s a Bloody Mary, if you may. So, imagine a Bloody Mary but instead of tomato juice and vodka, beer. So, we love that. I mean, poolside, poolside vibes. Just having watery mouth right now, just wanting one. Love it.

**Brian:** That’s great.

**Brian:** So, for those that don’t know Grace, as you mentioned, you’re a creative, you’re an artist, you’re a musician. Let’s just take a minute, tell our audience more about that and where they can find you.

**Grace:** Wonderful. So, yeah, I have, I guess, two sides, or maybe more, but at least two sides. Let’s keep it at two. It’s like a cassette. Well, first side, definitely what we’ve been speaking about. But then I have this artist singing facet of mine that I have a project called Grace and Bad Love. I love writing my own music, soul music. And with that name, you can actually just find me on any platform. It’s something I like to, I like to have two sides. I like to have two sides. It keeps me forever a student in two worlds. So, I think the key is to keep always learning new things, right, and to balance things out. Music is something I love to do and it’s my passion, but I learn a ton of developing my professional career as well, and not putting pressure on the artist side and just pursuing it because I choose to do it, not because it has to work, you know? So, that’s kind of what I, I love to be a cassette, I guess.

**Brian:** That’s great. Good answer, good answer. A couple questions we always ask on the pod, Grace. Obviously, you’re an advanced English speaker, but not your first language, Spanish obviously being that. So, we like to ask our English Second Language guests if they have a favorite word or phrase from the English language.

**Grace:** I guess it’s just something that’s currently in my mind. I like “ephemeral” a lot.

**Brian:** Interesting word. That’s a, that’s a, that’s a good one. That’s a good one. I like that. Any reason behind that, or do you like to try to drop that once a day in your conversation?

**Grace:** I actually, it’s related to music. So, yeah, I am creating a song that’s called “Efímero” in Spanish. And I was like, “How do you say that in English?” And it’s like, “Oh, it’s pretty similar but different.” It’s not easy to have this like filing cabinet brain. Sometimes I say things that make sense, but sometimes I have to like stop and find the right way to say.

**Brian:** Yeah, it makes me think, it’s good, it’s probably good for minds like yours to find a Spanglish type company, right, where you can go back and forth. And the last question we have for you, Grace, is, as you’ve traveled throughout Argentina, you’re in Patagonia, any special purchases you can think of? You know, we’re thinking around like that under $50 US range. Anything that sticks out that you bought in the last few years?

**Grace:** I honestly think, well, besides wine, obviously, which is wonderful down here. Mendoza and Patagonian wine is fabulous. My favorite is Pinot Noir. If I could, probably a bottle, a good bottle of Pinot Noir will be under $50 bucks and well-aged, something that would be a fortune in the States. So, I would definitely go with wine.

**Brian:** I can definitely concur with that. Well, Grace, such a pleasure having you on the show. Just really loved how deep you went into what it’s, what it’s really like, you know, recruiting, finding talent. El Salvador, your career, we covered a lot of ground today. So, really appreciate having you on the show. This was a lot of fun.

**Grace:** Thanks for having me.

**Brian:** Absolutely. Well, once again, thanks our audience for listening to the Nearshore Cafe podcast. We’re in Season Two. You can find us at NearshoreCafePodcast.com. And once again, we want to thank our sponsor, Plug Technologies, Plug.tech. Great way to find software engineers for US companies from all over Latin America. Thanks again, everyone. We’ll see you soon.

Brian Samson
Founder at Plugg Technologies

Brian Samson is the founder of Plugg Technologies and a veteran tech entrepreneur, with 10 years building successful nearshoring companies. Brian has helped to grow Plugg into one of the leading nearshoring agencies, connecting technical talent in Latin America; including Mexico, Argentina, Brazil, Nicaragua and Colombia with top U.S. companies. Plugg consistently hires and places over 100 LATAM resources each year. 

Plugg sponsors and Brian Samson hosts the leading podcast about doing business in Latin America with 70+ episodes, The Nearshore Cafe Podcast. In addition, Plugg brings insight and clarity to clients by supporting them with the details, big and small, to set their team up for success. Everything from currency, customs, hardware, and culture, Plugg provides advice and guidance based on first-hand expat experiences living and doing business across multiple Latin American countries. Plugg Technologies is a trusted partner for businesses seeking future-ready tech solutions including cloud infrastructure, cybersecurity, and digital operations positions

Brian holds an MBA from UCLA Anderson and prior, was an expat in Argentina and a VP of Talent for several San Francisco startups with multiple successful exits (IPO & acquisitions). In his free time he supports foster kids and is a dedicated family man.